Lamija Čehajić



bio?

     Lamija Čehajić (*1997) is a Bosnian intermedia artist based inPrague, working through the lens of feminist epistemologies,questioning how observations of the world transform into bodies of knowledge. She graduated from the Academy of Fine Art in Prague from Intermedia III. She is interested in the relationships between the body and the landscape as geologies of presence and belonging, and the need of collective accountability for the futures that are to come. 


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Vaporised Tears, Traces of Salt: Spaces of Environmental Mourning






2024
Residency with Manifesto Gallery, Sarajevo

Like a Root, workshop of contemproary envrionmental perspectives in Manifesto
Gallery, Sarajevo

Symposium in History Museum of Bosnia and Herzegovina, Sarajevo



Vaporised Tears, Traces of Salt: Spaces of Environmental Mourning
is funded by the Ministry of Culture Czech Republic, Czech Recovery Plan and the European Union.
There isn’t a clear demarcation between the end of evolution and the start of history, where geneticinfluence ceases and environmental factors begin, or where culture dominates and nature yields,and the opposite is also true. Rather, it is a layered intermingling of nature and culture, like endlessturtles stacked upon one another. Countless frogs standing on shoulders of more frogs. Newtscoming from newts coming from newts coming from newts. Every being that matters is acongeries of its formative histories – all of them. Every being all its developmental histories. 

This seemingly relentless teleological progression of linear, direct descent coupled with the idea of survival of the fittest, is misleading.Evolution, as it turns out, can be seen as having multiple facets, advancing in various directionssimultaneously. The traditional tree of life; concept, which appears to have clear origins, becomes more complex upon closer examination.
Natural selection, then, isn’t a straightforward concept of fitness; it is a compound process involvingtwo parallel phenomena – one being an internal dynamism within living beings, and the other, the impact of external forces and influences. These two aspects interfere with each other in a random manner, disrupting any notion of a neatly ordered teleological progression.